Screenwriting with Pilar Alessandra – On the Page course

I went to my first writing course on Saturday 29th November in London: On the Page with Pilar Alessandra.
I was a little nervous but more excited about going to the course. I have only just decided I am going to do this, so I didn’t want to turn up and be the student who can’t write because I think I am good at this and I didn’t want to fall at the first hurdle.

Anyway the course was exactly the right one for me as ‘On the Page’ refers to getting those ideas out of your head and, you guessed it, on the page! 

The course was fantastic, not only because, thank god, I didn’t suck but, Pilar gave us simple and easy steps that made the prospect of going on and writing seem easy. Also the group was put at ease by Pilar’s approach to teaching so you felt safe sharing ideas and they were a great bunch of writers. I felt a little intimidated as everyone else was obviously used to calling themselves a writer whereas I feel like I can, could, will be one, but I’m only at the ideas stage!However I have now been inspired by Pilar and with my resources at my finger tips I shall write all I need to get a calling card script and a writing agent. 

This being my first and only course I have nothing to compare it to but after talking with others on the course it seems it was a favorite for even the more seasoned course attendees. Here’s some of their quotes:

“Must say that I’ve done many classes in my time but I’ve never met anybody who imparts quite so much really useful information in such a short space of time. Quite invigorating.” Simon Rose
I thoroughly enjoyed the class on Saturday.  I must admit to being somewhat sceptical going in; I am not a fan of structural preachings (I threw McKee’s book ‘Story’ so hard against my living room wall that it has become structurally integral to the building).  However, I was turned. ” James Bicknell

You can find out lots about Pilar and the course online. I’d recommend it for anyone who really wants to start the process of putting the ideas you’ve had for ages to good use!
I consider this my step 2 in writing. Step 3 requires action!!!!

Written by AshleighDrew

Acclaimed writer-director Paul Haggis has been a fixture of television and film for over 25 years. In this wide-ranging interview, the Oscar®-winning co-screenwriter, director, and producer of Crash (Best Picture 2005) discusses a three-decade career that led from writing for sitcoms like Diff’rent Strokes and The Facts of Life to his breakthrough screenplay for Oscar®-winning director Clint Eastwood, Million Dollar Baby (Best Picture 2004). Haggis’s matter-of-fact stories of navigating the entertainment industry are an indelible primer for how to manage the screenwriting life, make a successful transition from TV to film, develop a strong story and characters, pitch an idea, and surmount Hollywood’s more frustrating obstacles.
Video Rating: 4 / 5

22 Ways to Improve Your Screenwriting

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22 Ways to Improve Your Screenwriting
By hcroasmun

Whether you are trying to win contests or sell your script, it is important that you take advantage of every opportunity you can to increase your chances of success.

Some people have estimated the odds of a good screenwriter selling a script to be in the neighborhood of 1 in 5,000.

What if you could cut that in half just by one action? Now, you’re at 1 in 2,500.

Then, what if you could cut that by 1/5th by taking a series of actions. Now, you’re at 1 in 500.

And if you continue on that path, sooner or later, you’ll get to 1 in 10 or even 1 in 2.

If you don’t believe that, let me ask you this: What are the chances of Charlie Kaufman selling another screenplay?

He wrote BEING JOHN MALKOVICH, ADAPTATION, and other screenplays. Would you say that his chances of selling another screenplay are pretty high? Would you be shocked to hear that he sold another script in the next six months? I doubt it.

But if you’d met Charlie Kaufman when he first began writing, wouldn’t you say he was right in there with the 1 in 5,000 odds against him?

My point is this: Everyone starts at 1 in 5,000 odds and it is up to us to shift the odds until they are in our favor. Shifting those odds is just a matter of constantly improving and taking advantage of the opportunities that come to us.

Below is 22 ways to improve your screenwriting. I’ve started with the most obvious and built to some ideas that are out of the ordinary.

I present this list so you will always have a way to improve your screenwriting, even if you are trapped in your room by yourself with no money and no contacts.

1. Write every day.

2. Read produced screenplays and search for what they did well. Read for a contest and see the difference between the winners and the ones that didn’t make it.

3. Take a screenwriting class. I can easily recommend a few.

4. Get feedback on your writing.

5. Critique another writer’s scripts.

6. Join a screenwriting group.

7. Take your favorite screenplay and transcribe it, noticing the choices the writer made.

8. Select a technique to improve and use it in one or more scenes.

9. Write the same scene a completely different way.
- Reverse a scene or character
- Increase the stakes
- Change who prevails in the scene
- Use a twist to change the end of the scene
- Put the characters in a worse position

10. Have another writer write one of your scenes in a completely different way.

11. Take a character to an extreme to see what other possibilities are available.

12. Take a line of dialogue or description and rewrite it 10 different ways or more.

13. Stretch yourself: Give your character an unsolvable problem and then solve it.

14. Pick a scene in a movie you like and write it. Once you have completed it, read the writer’s script for that scene and see how he or she wrote it differently.

15. Watch a movie, stopping it at the end of each scene. Write down what happened in the scene, how the characters changed, what was the in and out points, and what was the most interesting part of the scene.

16. Take your best idea and top it in some way! Sometimes, it is not about the writing. It is about the thinking and the breakthroughs and getting used to coming up with fresh ideas. Force yourself to top your best ideas on a regular basis and soon, you’ll have the best ideas in Hollywood.

17. Find out what a producer or reader wants in a script. This can shift your chances dramatically. It may save you from writing something that has no chance of success.

18. Take an acting class.

19. Do a read-through with actors.

20. Shoot a short on DV. For anyone who has done this, you’ve had the experience of seeing actors bring your script to life. Until you do, you can’t imagine the amount of pride and embarrassment you’ll experience. But directing even one scene will change how you write.

21. Give yourself permission to write from your heart with no holding back.

22. Decide that you will constantly improve your writing until you are one of the best screenwriters there is.

There you are. 22 ways to shift the odds of your success. Many of which do not even require that you leave your computer. If you’re serious about writing, I wouldn’t let a day go by without doing at least one of the above.

A 1% improvement every day is a 365% improvement over the next year. Keep doing that and sooner or later, you’ll be in Charlie Kaufman’s league — making those 7-figure deals.

Hal Croasmun is a writer/producer and the author of “33 Ways to Break into Hollywood.” He publishes the ScriptForSale newsletter with articles about screenwriting and interviews with A-List screenwriters at http://www.ScriptForSale.com

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Screenwriting Software

Although screenwriting software cannot teach you how to write a script, it can become an invaluable timesaving tool for any aspiring or professional scriptwriter. Specialist screenwriting software can allow you to compare and contrast your own script with the scripts of your favourite Hollywood movies, follow the development of characters and plot and also analyse the overall arc of your story. Some more advanced and accessible screenwriting software application can even allow you to monitor elements such as romance, tension, action and w emotion in your script, all of which will directly affect audience engagement.

You may also be able to store biographical details n characters, their relationships to each other, their places in the arc of the story and the development of plot. Once you have a basic idea of how to write a script but are perhaps intimidated by the idea of following your original ideas through to realisation, this type of software can undoubtedly make the entire experience more enjoyable and accessible. Color coded screen tabs are often used in the interfaces of these applications, which allow you to cross reference and cross check each chapter with your synopsis whilst subdividing your script according to not only chapter breaks but perhaps a three part natural flow or even into natural scene or act breaks.

Your script will cease to be a monolithic monster which is daunting each time you approach it, but will become an organic creation which can easily be adapted and altered according to your requirements. As your characters take life and follow unexpected paths, you can track whether this will alter your overall conception of plot in a negative or positive manner, adapting script to fit synopsis and vice versa. Many professional television and feature film scriptwriters use screenwriting software because it is so convenient and saves time and money. These applications cannot replace your initial inspiration and a degree of raw talent coupled with determination and dedication but they can undoubtedly make the entire process more accessible and enjoyable.

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